Modern and Contemporary Korean Art: Continuity and Transformation

Modern and Contemporary Korean Art: Continuity and Transformation
Friday, December 6, 2019, 9:00am to 4:15pm
Porte Seminar Room (S250), CGIS South Building, 1730 Cambridge Street, MA 02138

Harvard-Dartmouth Korean Art History Workshop 2019


Organized by Sun Joo Kim, Harvard-Yenching Professor of Korean History; Director, Korea Institute, Harvard University, and Sunglim Kim, Associate Professor in the Department of Art History and Asian Societies, Cultures, and Languages Program, Dartmouth College.



9:00 a.m. – 10:30 a.m.

Sunglim Kim, Associate Professor of Korean Art History at Dartmouth College
« Tradition Transformed: Art and Life of the contemporary « traditional » ink painter Park Dae-Sung »

Jungsil Jenny Lee, Lecturer of Asian Art at California State University, Fullerton
“Roaring Bull, Stony Silence, and Abstract Nostalgia: The Trio of Korean Modern Art »

Seung Yeon Sang, Japan Foundation Fellow based at the Tokyo University of the Arts
« Joseon Moon Jars Reconsidered: Asakawa Noritaka and the Rise of « Moon Jars » in the Early 20th Century »

10:30 a.m. – 10:45 a.m.
Coffee Break

10:45 a.m. – 12:15 p.m.

Nancy Lin, Assistant Professor of Art History, Lawrence University
“In Contention: Theorizing the Female Body in Modern Korean Art »

Jinyoung A. Jin, Director, Charles B. Wang Center, Stony Brook University
« Forgotten Face/Faces: Visual Representations of Mass Killing in Lee Quede’s Paintings »

Ghichul Jung, Chair, The Sustainable Korean Culture Institute
“Linked Korean Art: An Ontology-Based Semantic Approach to Korean Modern Art »

12:15 p.m. – 1:15 p.m.

1:15 p.m. – 2:00 p.m.
Keynote Speech by Raphael Rubinstein, University of Houston
“Po Kim: Darkness & Arcadia”

2:00 p.m. – 3:00 p.m.

Suzie Kim, Assistant Professor, Department of Art and Art History, University of Mary Washington
“Loss and (Re)construction of Public Space: Postwar Architecture in Pyongyang »

Melany Sun-Min Park, PhD Candidate in History and Theory of Architecture at the Harvard Graduate School of Design
« The Korean Classical and Baroque: From the Archaeological Object to the Architectural Subject »

3:00 p.m. – 3:15 p.m.
Coffee Break

3:15 p.m. – 4:15 p.m.

B.G. Muhn, Professor of Painting in the Department of Art and Art History at Georgetown University
« Contextualizing North Korean Chosonhwa in Contemporary Art »

Douglas Gabriel, 2019-20 Soon Young Kim Postdoctoral Fellow, Korea Institute, Harvard University
« Reunification in Parallax: Lim Su-kyung Leaves Her Mark on Korean Art »

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