Exposition : Yun Hyong-keun Retrospective
Yun Hyong-keun Retrospective
Jusqu’au 16 décembre 2018
National Museum of Modern and Contemporary Art, Séoul
Born in 1928 in Cheongju, North Chungcheong Province, Yun Hyong-keun lived through one of the most traumatic periods of Korean history, suffering great misfortune related to Japanese colonial rule, the Korean War, and the postwar dictatorship.
From the moment he dedicated himself to painting, Yun clearly established his own distinct artistic world, which he called the “gate of heaven and earth.” In the quintessential series of works that he began in the 1970s, Yun used a wide brush to apply thick blocks of black paint to canvasses of plain cotton or linen. To be precise, the paint was not actually black, but slightly variant mixtures of the same two colors: blue (representing “heaven”) and umber (representing “earth”). From their production method to their final appearance, these paintings are simple, genuine, and organic. With these seemingly offhand works, Yun succeeded in translating the humble, comfortable, and solid values of Korean traditional aesthetics into the lexicon of international contemporary art.
Eleven years after his death, this exhibition explores Yun’s life and art with unprecedented range and depth, introducing many details and perspectives that have not yet received adequate attention. Through such diverse materials and displays, this exhibition comprehensively explores the life and art of Yun Hyong-keun, who has thus far been known primarily within the context of the Dansaekhwa movement in Korea.
Source : MMCA.